Jonathan's Corner
(Search & Sitemap)
> Writing >
Longer Fiction >
The Sign of the Grail
Skip Back
Previous
7
8
9
10
11
12
13
14
15
16
Next
Skip Forward
Printer-Friendly Version
Philosophy also turned out to be interesting; the professor began the unit on medieval philosophy by asking, "How many angels can dance on the head of a pin?", eliciting various forms of derision, then asking people what they were deriding, began asking "How many of you can touch the head of the same pin at once?", produced a pin, and after students made various jostling efforts, asked whether a pin could accommodate a finite or infinite number of angels.
This was used to a class discussion about the nature of matter and spirit and whether angels dancing on the head of a pin would push each other away the way human bodies would... and at the end of class the professor began asking if people wanted to talk about how unfortunate it was that medieval philosophers had to use the poetic image of angels dancing on the head of a pin where others would have used the colorless language of analytic philosophy.
In chemistry, the professor did nothing in particular to make things interesting. George still enjoyed the lecture as it built to a discussion of isotope distributions as used to compute average molecular weights.
George was quite surprised when the weekend approached, spent the weekend playing card games, and wondered at how quickly Sunday came.
On Sunday, George entered the strange world of the Church building. It seemed more, not less, strange, but things began to make sense. "In the Name of the Father, and of the Son, and of the Holy Ghost. Amen." was something he noticed often, and he, if not understanding, was at least comfortable with the continual hubbub as people seemed to be moving about, sometimes to the front.
As the service passed, he found his eyes returning to, and then fixed on, an icon that showed three ?angels? sitting around a stone table. In the back was a mountain, a tree, and a building, a faroff building that George somehow seemed to be seeing from the inside...
The perspective in the picture was wrong. Wait, the perspective wouldn't be that wrong by accident... the picture looked very distorted, and George wanted to reach out and--
George looked. The perspective vanished, not at some faroff place on the other side of the picture, but behind him, and the picture seemed at once faroff and something seen from inside.
And what was it, almost at the heart of the icon, or somewhere beneath it, that the three peaceful, radiant, great ?angels? almost seemed clustered around? It looked like a chalice of gold.
George was looking, trying to see into the picture, wishing he could go closer, and seeing one person after another come closer in the dance of song and incense. George instinctively found himself backing up, and then realized people were sitting down and Fr. Elijah began:
In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.
Sir Thomas Mallory in Le Morte d'Arthur has any number of characters, and I want to describe one of them, Sir Griflet, who is completely forgettable if you don't know French: he appears briefly, never stays in the narrative for very long, never does anything really striking at all. His lone claim to fame, if you can call it that, is that Mallory refers to him as "Sir Griflet le fils de Dieu." For those of you who don't know French, we've just been cued in, in passing, that by the way, Sir Griflet is the Son of God.
Now why would this be? There some pretty striking things you can do if you are a character in that work. Sir Griflet is not a singular character who has the kind of energy of Sir Galahad, or in a different but highly significant way, Merlin. For that matter, he does not have even a more routine memorability like Sir Balin who wielded two swords at the same time. He's just forgettable, so why is he called le fils de Dieu, I mean the Son of God?
In Chretien de Troyes, who is a pivotal author before Mallory, a character with a name that would become "Griflet" is equally pedestrian and is named "fis de Do", son of Do, which has a root spelling of D-O where the word for God in that form of French is D-E-U. So a starkly pedestrian character, by an equally pedestrian language error, seems to have his father's name mixed up with how you spell the word for God. How pedestrian, disappointing, and appropriate.
There is a somewhat more interesting case in the story of a monk who believed that Melchizedek was the Son of God, and this is not due to a language error. If you were listening when the readings were chanted from the Bible, you would have heard that Melchizedek was "Without father, without mother, without descent, having neither beginning of days nor end of life: but made like unto the Son of God, abideth a priest continually." This may be surprising to us today, but that's because most of us have lost certain ways of reading Scripture, and it was a holy monk who thought this. He made a theological error, not a mere language error, and when his bishop asked his assistance in praying over whether Melchizedek or Christ was the Son of God, he arrived at the correct answer.
Now let me ask you who is really the Son of God. Do you have an answer now?
I'm positive you're wrong. It's a forgettable person like Sir Griflet or Melchizedek.
When the Son of God returns in glory, he will say, "Depart from me, you who are damned, into the eternal fire prepared for the Devil and his angels. For I was hungry and you gave me nothing to eat; I was thirsty and you gave me nothing to drink; I was a stranger, and you showed me no hospitality; naked, and you did not clothe me; sick or in prison, and you did not visit me." And when the damned are confounded and ask when they could have possibly failed to do that, he will answer them, "I swear to you, just as you did not do it to one of the least of these, you did not do it for me."
We, in our very nature, are symbols of the Trinity, and this does not mean a sort of miniature copy that stands on its own in detachment. The Orthodox understanding of symbol is very difficult to grasp in the West, even if you haven't heard people trying to be rigorous or, worse, clever by saying "The word is not the thing it represents." And talking about symbols doesn't just mean that you can show reverence to a saint through an icon. It means that everything you fail to do to your forgettable neighbor, to that person who does absolutely nothing that draws your attention, you fail to do to Christ.
And if you are going to say, "But my neighbor is not Christ," are you not straining out a gnat and swallowing a camel in what you are being careful about? Your neighbor as such is not Christ as such. True, but this is really beside the point. It betrays a fundamental confusion if any of the damned answer their Judge and say, "But I wasn't unkind to you. I was just unkind to other people." We are so formed by the image of Christ that there is no way to do something to another person without doing that to Christ, or as this parable specifically says, fail to do. And I'd like you to stop for a second. The last time you were at an unexpected funeral, did you regret more the unkind thing you said, or the kind word you failed say, the kind action you failed to take? Perhaps it may be the latter.
Christ hides in each of us, and in every person you meet. There is a mystery: the divine became human that the human might become divine. The Son of God became a man that men might become the Sons of God. God and the Son of God became man that men might become gods and the Sons of God. Christ took on our nature so that by grace we might become what he is by nature, and that does not just mean something for what we should do in our own spiritual practices. It means that Christ hides in each person, and to each person we owe infinite respect, whether they're boring, annoying, mean, lovely, offensive, fascinating, confusing, predictable, pedestrian, or just plain forgettable like old Sir Griflet.
You owe infinite respect.
In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.
Did George want to go up to the icon? He went up, feeling terribly awkward, but hearing only chant and the same shuffle of people in motion. He went up, awkwardly kissed the three figures someplace low, started to walk away in inner turmoil, turned back to the image, bowed as he had seen people see, and kissed the chalice of wine.
It was not long before he saw Fr. Elijah come out with a chalice, and draw from it with a golden spoon. This time he noticed people kissing the base of the chalice. There was nothing awkward about them, and there seemed to be something majestic that he began to catch a glimmer of in each of those present.
George later realized that he had never experienced worship "stopping" and coffee hour "beginning." The same majestic people went from one activity into another, where there was neither chanting nor incense nor the surrounding icons of a cloud of witnesses, but seemed to be a continuation of worship rather than a second activity begun after worship. He was with the same people.
Jonathan's Corner
(Search & Sitemap)
> Writing >
Longer Fiction >
The Sign of the Grail
Skip Back
Previous
7
8
9
10
11
12
13
14
15
16
Next
Skip Forward
Printer-Friendly Version