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Ployon was silent for a long time.
Then Ployon said, "When are you going to refute Berkeley?"
Since the dawn of time, those who have walked the earth have looked up into the starry sky and wondered. They have asked, "What is the universe, and who are we?" "What are the woods?" "Where did this all come from?" "Is there life after death?" "What is the meaning of our existence?" The march of time has brought civilization, and with that, science. And science allows us to answer these age-old human questions.
That, at least, is the account of it that people draw now. But the truth is much more interesting.
Science is an ingenious mechanism to test guesses about mechanisms and behavior of the universe, and it is phenomenally powerful in that arena. Science can try to explain how the Heavens move, but it isn't the sort of thing to explain why there are Heavens that move that way—science can also describe how the Heavens have moved and reached their present position, but not the "Why?" behind it. Science can describe how to make technology to make life more convenient, but not "What is the meaning of life?" Trying to ask science to answer "Why?" (or for that matter, "Who?" or any other truly interesting question besides "How?") is a bit like putting a book on a scale and asking the scale, "What does this book mean?" And there are indeed some people who will accept the scale's answer, 429.7425 grams, as the definitive answer to what the book means, and all the better because it is so precise.
But to say that much and then stop is to paint a deceptive picture. Very deceptive. Why?
Science at that point had progressed more than at any point in history, and its effects were being felt around the world. And science enjoyed both a profound prestige and a profound devotion. Many people did not know what "understanding nature" could mean besides "learning scientific descriptions of nature," which was a bit like not knowing what "understanding your best friend" could mean besides "learning the biochemical building blocks of your friend's body."
All this and more is true, yet this is not the most important truth. This was the Middle Age between ancient and human society and the technological, and in fact it was the early Middle Age. People were beginning to develop real technologies, the seeds of technology we would recognize, and could in primitive fashion jack into such a network as existed then. But all of this was embraced in a society that was ancient, ancient beyond measure. As you may have guessed, it is an error to misunderstand that society as an inexplicably crude version of real technological society. It is a fundamental error.
To really understand this society, you need to understand not its technology, but the sense in which it was ancient. I will call it 'medieval', but you must understand that the ancient element in that society outweighs anything we would recognize.
And even this is deceptive, not because a single detail is wrong, but because it is abstract. I will tell you about certain parts in an abstract fashion, but you must understand that in this world's thinking the concrete comes before the abstract. I will do my best to tell a story—not as they would tell one, because that would conceal as much as it would reveal, but taking their way of telling stories and adapting it so we can see what is going on.
For all of their best efforts to spoil it, all of them live on an exquisite garden in the thin film where the emptiness of space meets the barrier of rock—there is a nest, a cradle where they are held tightly, and even if some of those who are most trying to be scientific want to flee into the barren wastes of space and other planets hostile to their kind of life. And this garden itself has texture, an incredible spectrum of texture along its surface. Place is itself significant, and I cannot capture what this story would have been like had it been placed in Petaling Jaya in Malaysia, or Paris in France, or Cambridge in England. What are these? I don't know... I can say that Petaling Jaya, Paris, and Cambridge are cities, but that would leave you knowing as much as you knew 5 milliseconds before I told you. And Malaysia, France, and England are countries, and now you know little besides being able to guess that a country is somehow capable of containing a city. Which is barely more than you knew before; the fact is that there is something very different between Petaling Jaya, Paris, and Cambridge. They have different wildlife and different places with land and water, but that is not nearly so interesting as the difference in people. I could say that people learn different skills, if I wanted to be very awkward and uninformative, but... the best way of saying it is that in our world, because there is nothing keeping minds apart... In that world, people have been separate so they don't even speak the same language. They almost have separate worlds. There is something common to all medievals, beyond what technology may bring, and people in other cities could find deep bonds with this story, but... Oh, there are many more countries than those I listed, and these countries have so many cities that you could spend your whole life travelling between cities and never see all of them. No, our world doesn't have this wealth. Wealthy as it is, it doesn't come close.
Petaling Jaya is a place of warm rainstorms, torrents of water falling from the sky, a place where a little stream of unscented water flows by the road, even if such a beautiful "open sewer" is not appreciated. Petaling Jaya is a place where people are less aware of time than in Cambridge or Paris and yet a place where people understand time better, because of reasons that are subtle and hard to understand. It draws people from three worlds in the grandeur that is Asia, and each of them brings treasures. The Chinese bring with them the practice of calling adults "Uncle" or "Aunt", my father's brother or my father's sister or my mother's brother or my mother's sister, which is to say, addresses them not only by saying that there is something great about them, but they are "tied by blood"—a bond that I do not know how to explain, save to say that ancestry and origins are not the mechanism of how they came to be, or at least not just the mechanism of how they came to be. Ancestry and origins tell of the substance of who they are, and that is one more depth that cannot exist in our world with matter and mind separate. The Indians and Bumi Putras—if it is really only them, which is far from true—live a life of friendship and hospitality, which are human treasures that shine in them. What is hospitality, you ask? That is hard to answer; it seems that anything I can say will be deceptive. It means that if you have a space, and if you allow someone in that space, you serve that person, caring for every of his needs. That is a strange virtue—and it will sound stranger when I say that this is not endured as inexpedient, but something where people want to call others. Is it an economic exchange? That is beside the point; these things are at once the shadow cast by real hospitality, and at the same time the substance of hospitality itself, and you need to understand men before you can understand it. What about friendship? Here I am truly at a loss. I can only say that in the story that I am about to tell, what happens is the highest form of friendship.
Paris is, or at least has been, a place with a liquid, a drug, that temporarily causes a pleasant mood while changing behavior and muddling a person's thoughts. But to say that misses what that liquid is, in Paris or much else. To some it is very destructive, and the drug is dangerous if it is handled improperly. But that is the hinge to something that—in our world, no pleasure is ever dangerous. You or I have experienced pleasures that these minds could scarcely dream of. We can have whatever pleasure we want at any time. And in a very real sense no pleasure means anything. But in their world, with its weaker pleasures, every pleasure is connected to something. And this liquid, this pleasure, if taken too far, destroys people—which is a hinge, a doorway to something. It means that they need to learn a self-mastery in using this liquid, and in using it many of them forge a beauty in themselves that affects all of life. And they live beautiful lives. Beautiful in many ways. They are like Norsemen of ages past, who sided with the good powers, not because the good powers were going to win, but because they wanted to side with the good powers and fight alongside them when the good powers lost and chaos ruled. It is a tragic beauty, and the tragedy is all the more real because it is unneeded, but it is beauty, and it is a beauty that could not exist if they knew the strength of good. And I have not spoken of the beauty of the language in Paris, with its melody and song, or of the artwork and statues, the Basilica of the Sacré-Coeur, or indeed of the tapestry that makes up the city.
Cambridge is what many of them would call a "medieval" village, meaning that it has stonework that looks to its members like the ancient world's architecture. To them this is a major difference; the ancient character of the buildings to them overwhelms the fact that they are buildings. To that medieval world, both the newest buildings and the ones they considered "medieval" had doorways, stairwells, rooms, windows, and passages. You or I would be struck by the ancient character of the oldest and newest buildings and the ancient character of the life they serve. But to these medievals, the fact that a doorway was built out of machine-made materials instead of having long ago been shaped from stone takes the door—the door—from being ancient to being a new kind of thing! And so in the quaintest way the medievals consider Cambridge a "medieval" village, not because they were all medievals, but because the ancient dimension to architecture was more ancient to them than the equally ancient ways of constructing spaces that were reflected in the "new" buildings. There was more to it than that, but...
That was not the most interesting thing about them. I know you were going to criticize me for saying that hospitality was both a human treasure and something that contributed to the uniqueness of Petaling Jaya, but I need to do the same thing again. Politeness is... how can I describe it? Cynics describe politeness as being deceit, something where you learn a bunch of standard things to do and have to use them to hide the fact that you're offended, or bored, or want to leave, or don't like someone. And all of that is true—and deceptive. A conversation will politely begin with one person saying, "Hi, Barbara, how are you?" And Barbara will say, "Fine, George, how are you?" "Fine!" And the exact details seem almost arbitrary between cultures. This specific interaction is, on the surface, superficial and not necessarily true: people usually say they feel fine whether or not they really feel fine at all. And so politeness can be picked apart in this fashion, as if there's nothing else there, but there is. Saying "How are you?" opens a door, a door of concern. In one sense, what is given is very small. But if a person says, "I feel rotten," the other person is likely to listen. Barbara might only "give" George a little bit of chatter, but if he were upset, she would comfort him; if he were physically injured, she would call an ambulance to give him medical help; if he were hungry, she might buy him something to eat. But he only wants a little chat, so she only gives him a little chat—which is not really a little thing at all, but I'm going to pretend that it's small. Politeness stems from a concern for others, and is in actuality quite deep. The superficial "Hi, how are you?" is really not superficial at all. It is connected to a much deeper concern, and the exterior of rules is connected to a heart of concern. And Cambridge, which is a place of learning, and has buildings more ancient than what these medieval people usually see, is perhaps most significantly distinguished by its politeness.
But I have not been telling you a story. These observations may not be completely worthless, but they are still not a dynamic story. The story I'm about to tell you is not in Petaling Jaya, nor in Paris, nor in Cambridge, nor in any of thousands of other worlds. And I would like to show you what the medieval society looks like in action. And so let's look at Peter.
Peter, after a long and arduous trek, opened the car door, got out, stretched, looked at the vast building before him, and listened as his father said, "We've done it! The rest should be easy, at least for today." Then Peter smiled, and smashed his right thumb in the car door.
Jonathan's Corner
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